SEXTET Issue III: Offerings showcases writing exploring themes of hope, ritual, sanctuary, and remembrance, inspired by the life and work of Derek Jarman.

Daniel Bosch

SARCOPHAGUS

That’s dead pigeon on the translucent
Ice-blue toe of my daughter’s jelly.
She kicked the bird by accident
As we crossed a cobbled alley
And she nearly cried
Before she could carry on:
How did it die?
Is that its beak? Where is its mom?
Is she sad? Can I take it home?
Then my turn: Can you say ‘carrion’?”
She sang it, wrong, until we reached the light,
Then, as “Walk” flashed at us, she got it right.

Columbus Avenue might have been the Rubicon:
But for a blood-blue smudge, the bird was gone—
Wrapped in a surplus
Word, a sarcophagus,
My way of saying “Hello” and “Fuck
You” to death in dead language. But at the park: “Yuck,
Daddy, can you wipe this off?” Two kids say she smells.
Helpless, hopeless Daddy-without-tissue tells
Her, as he holds her: “Honey, it’s not so bad.”
She says: “I smell like dead meat, Dad.”
So I dig a grave of cool, wet sand,
Resolved to rub the scent away by hand.

The grave’s a small but useful place—
Fits like a glove. The sand I take from it
I use as grit
So nearly liquid, putrid tears
Wept from the tread of her plastic sole
Fall back into the hole.
She makes the face of grief: “Dad, carrion stinks.”
Wisdom beyond her years.
When I let her go
There’s an ink-blue trace left on her toe
And the scent is on my hands, to be sure,
But I know no carrion got on her.

Daniel Bosch was the winner of the very first Boston Review Poetry Prize in 1998. Read more from Daniel over at Glasgow Review of Books.